Support center
+96170500025
Browse the equipment available in this collection.
26 products
Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240P. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors.
View product
The Shinobi 7″ 4K HDMI/SDI Monitor from Atomos is a 7″ on-camera monitor that features a 1920 x 1080 10-bit FRC IPS display with a brightness of 2200 cd/m², which makes it suitable for use in both exterior and interior conditions. This larger model improves on the original Shinobi as it adds 3G-SDI input and loop output up to 2K60, HDMI 2.0 input and loop output up to 4K60, signal cross conversion, a camera control port, dual L-series battery slots, and future possibilities with its built-in USB and RJ45 ports.
View product
The Atomos Shogun Inferno is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files. The monitor features 10-bit FRC processing and AtomHDR display technology supports a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered. In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, the use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor. Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools. Key Features: Monitor 1920 x 1200 resolution 10-bit FRC monitoring processing 1500 cd/m² brightness AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras High Bright mode for Rec. 709 viewing Supports custom 3D LUTs (.cube format) Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3 UHD 4K downscale for HD monitoring Input/Output 4K HDMI and 12G-SDI inputs/outputs Four 3G-SDI inputs (or single 12G-SDI) SDI/HDMI cross conversion Genlock/LTC input Audio breakout cable for XLR audio input Recording UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR 1080p recording up to 240 fps 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500 ProRes Raw and ProRes Raw HQ Record up to 5.7p30, 4Kp60, HDp240 Pre-roll record (HD 8 seconds, 4K 2 seconds) Custom time-lapse mode Ten metadata fields Additional Features Dual Sony L-series battery slots support hot swapping for continuous power Built-in armor with silicone-covered corners Audio level meters and mic level adjustment
View product
The Master Series is our range of high bright broadcast monitors, suitable for use in any environment. Featuring a brightness of 1500 nits and contrast of 1000:1, the monitors are clearly readable in any light. The 4:3 aspect ratio reduces the scanning movement of the reader’s eyes to a minimum, while an in-built tally showing camera status and optional numbered tally and clock accessories further improve the talent’s experience.
View product
Well suited for DSLR and mirrorless cameras, or other video or cinema camera with an HDMI or SDI output, the S7II 7″ 4K HDMI/3G-SDI Field Monitor from Bestview allows you to monitor SD, HD, and 4K video signals over HDMI and SDI inputs. It features a 1920 x 1200 IPS LCD screen with a contrast ratio of 1100:1 and maximum brightness of 450 cd/m². Monitoring tools such as focus peaking, zebras, 1:1 pixel mapping, and more make it easy to assess your image.
View product
SmartView HD features an amazing 17″ LCD screen that lets you monitor SD, HD, and 3Gb/s SDI video in full resolution HD. Just as impressive as its ultra slim, 6RU rack mountable design. Only an inch thick, it’s the perfect size for all your SDI monitoring needs. What’s more, SmartView HD can be conveniently adjusted from your computer via Ethernet.
View product
uses an IPS panel which provides a brightness output up to 400 cd/m² and 800:1 color contrast ratio. Wide viewing angle of 178 x 178° allows you to see accurate, consistent, and bright images from virtually any angle. A wide color gamut and 1280 x 800 resolution ensure that the monitor produces precise color restoration. The FW759 features multiple input options like HDMI and AV, and supports most DSLRs and camcorders. The monitor offers peaking focus assist function. The peaking filter aids you to obtain the sharpest possible picture, which is most effective in bright light conditions. The included folding sun hood can be quickly clipped on to block out unwanted glare and reflections from the sun. Key Features: 7″ 1280 x 800 HDMI Monitor Brightness: 400 cd/m² Contrast Ratio: 800:1 Viewing Angle: 178°
View product
The CrystalSky Monitor was made for outdoor aerial imaging. The Monitor features an ultra-bright screen that makes the display clearly visible in direct sunlight. The Monitor was specifically designed for optimal efficiency with the DJI Go app, to give pilots precise control over their drones.
View product
KVM-1660W, a remarkable new generation monitor, supports 3D-LUT color calibration,3Gbs SDI 4:4:4 12Bit signals, no compression, no loss, a more perfect display of image, these monitors are provided with waveform, vectorscope, histogram and other professional broadcast features, suitable for the most demanding application of image quality of high-end broadcast shooting, editing, and production.
View product
————————-Description————————- 23.8-inch 4K monitor with HDMI 2.0, 3G-SDI, DVI and VGA connectivity. Its LCD panel with LED backlight has a native resolution of 3840×2160, offering high image quality thanks to its wide viewing angles of 176º both horizontal and vertical, a contrast of 1000:1 and brightness of 330 cd/m². Ideal for inserting into your workflow, with an Ultra HD display panel and functions designed for portability, it is ideal for reviewing 4K video on the fly. The monitor can be racked into 6U of rack, allowing it to be integrated into mobile units, event management and solutions that require flexible mobility. It also supports 3D LUTs and offers HDR compatibility. Allows adjustment of color space: Native, Rec.709 and 3 user-defined presets for other color spaces. Connected via HDMI 2.0, the 4K Ultra HD displays, which contain 8.3 million pixels, make the resolution four times more powerful than FullHD. The monitor has either image shift mode or X-Flip/Y-Flip functionality, giving you the flexibility to integrate it into your current workflow for any angle you choose (90º, 180º and 270º). It supports 4 independent input signals at the same time, making it easy to see your set from 4 different angles. It includes a hand-held Flighcase for greater protection and easy transport. It also allows for greater heat radiation and guarantees greater reliability on longer shoots. Its aluminum outer body also provides excellent protection to extend the life of your monitor. The monitor comes with all major video standards used in the commercial and video industry. It connects using HDMI 2.0 for 4K resolutions, and can be connected using HDMI or SDI for standard resolutions of 1080p and below. This gives you the ability to meet the needs of any display solution. It has 4 programmable function keys on the front of the monitor that allow you to stop its most used functions, such as Peaking, histogram, field verification, image flip, etc.. Optionally, a wireless HDMI receiver can be coupled. With HDMI wireless technology (wHDI) you can transmit 1080p 60Hz signals directly to the monitor without the need for cables, offering a much more portable solution. One transmitter can be connected to multiple receiver units, giving you a cable-free video experience. Key features: 4K UltraHD resolution via HDMI 2.0 connection Supports 3D LUTs and offers HDR support Allows adjustment of color space: Native, Rec.709 and 3 user-defined presets for other color spaces Image shift mode and image angle adjustment 6U Rackmount Monitor Supports 4 independent input signals at the same time Precision colours with 1000:1 contrast ratio and 330 cd/m² brightness Includes handheld flight case for better protection and easy transport 3G-SDI, HDMI 2.0, DVI and VGA inputs Metal outer casing for better protection and cooling of the monitor 4 User programmable function keys HDMI wireless receiver (optional)
View product
Lilliput 663/o/p/s2 is the upgraded version of Lilliput 663/o/p/s, which has wonderful performance. It takes great benefits from the 663/o/p/s, and it has also been upgraded with new functions. That is Lilliput creatively integrated waveform, vector scope & video analyzer into on-camera monitor, which provides luminance/color/RGB histograms, Y /Luminance, Cb, Cr, R, G&B waveforms, Vector scope and other waveform modes. And measurement modes such as peaking, exposure & Audio level meter . These assist users monitor more accurately when shooting. And also makes this monitor perform better than other products. It is compatible with most of the cameras and camcorders.
View product
The Lilliput 665GL-70NP/HO/Y is a 7 inch 16:9 TFT LCD HD field monitor with HDMI, component video, ultra-hi resolution LCD and sun hood. Optimized for DSLR cameras. Lilliput’s highest resolution 7″ monitor to date. Nearly 25% higher resolution than regular 7″ monitor resolutions. It’s not just the resolution that sets the 665GL apart – it also features Lilliput’s highest contrast ratio on any monitor (700:1), for even clearer and sharper picture quality. Wide input voltage range (6-24V DC) makes the 665GL suitable in a wider range of environments. 4 programmable function buttons and overscan/underscan switch, ideal for tweaking to suit your camera. All the video connections camera crews need: HDMI, component (YPbPr) and composite video. ACCESSORIES: Product 1× 665GL-50NP/HO/Y ,Connection Cables 1× HDMI to mini HDMI cable ,Power Adapter 1× 3-pin DC 12V plug, various battery plates Interaction Devices ,battery Stand , Instruction Manual 1× manual in English . Screen Size (diagonal) 7 inch Aspect Ratio 16:9 Resolution 1024×600 native, up to 1920×1080 Brightness (cd/m²) 450 Contrast Ratio 700:1 Response Time (ms) 6 Screen Rotation Colour Configuration RGB stripe Touch Screen None Video System PAL/NTSC LCD Backlight LED Video Inputs HDMI, YPbPr, Composite Audio Outputs
View product
————————-Description————————- Attaches directly to a DSLR or HD video camera. It comes equipped with a Canon LP-E6 battery plate, battery, and charger. The monitor features an HDMI input that supports 1080i60 and 720p60 input signals, a VGA input that supports input resolutions up to 1920 x 1440, and a 3.5mm AV input that provides dual composite video inputs and a single audio input via an included AV breakout cable. A great tool for photographers and videographers, the 7″ monitor enables you to focus clearly on your shots and eliminate the guesswork from framing. Photograph still images or record video in tough-to-reach spots without ladders, stools, or dangerous climbing stunts. Additional monitor features include a rear speaker for audio monitoring, Auto Aspect Ratio Detect, Image Flip/Flop, and Color Temperature Adjustment (HDMI/PC). The monitor is powered via a standard DSLR battery, which is highly conducive to mobile monitoring. Supplied accessories include a mini-HDMI to HDMI cable, a standard HDMI cable, an A/V cable, a cigarette lighter adapter, an AC/DC power supply, a hot shoe camera mount adapter, sun hood, and a remote. Key features: 800 x 480 Native Resolution HDMI and VGA Inputs Two Composite Video Inputs Supports 1080i60 & 720p60 HDMI Signals VGA Input Resolutions up to 1920 x 1440 Rear Speaker for Audio Monitoring Auto Aspect Ratio Detect Image Flip/Flop Color Temperature Adjustment
View product
————————-Description————————- A simple and lightweight monitoring solution ideally suited to DSLRs, mirrorless cameras, and compact video cameras. The kit features a Marshall M-CT7 LCD monitor and includes a Canon LP-E6 type battery plate, charger, and two batteries. The lightweight monitor has a 7″, 800 x 480 resolution LCD screen and supports up to 1920 x 1440 resolution video by scaling it down to its native resolution. The larger screen makes it easier to frame, focus, and monitor your shots than using the built-in LCD on your camera. In terms of connectivity, the monitor provides HDMI and VGA inputs as well as dual composite video inputs. Key Features: 800 x 480 Native Resolution Supports Up to 1920 x 1440 Resolution HDMI and VGA Inputs Composite Video Input via A/V Cable Canon LP-E6 Type Battery Plate Two Batteries And Charger Included Rear Speaker for Audio Monitoring Auto Aspect Ratio Detect Image Flip/Flop Color Temperature Adjustment
View product
————————-Description————————- The monitor’s IPS panel features 1280 x 800 resolution, 350 nit brightness, 800:1 contrast ration, and 178° vertical and horizontal viewing angles for good color and contrast rendition even when viewed from off center. Image evaluation tools include Peaking, False Color, focus, and exposure aids, and the monitor features 1-to-1 pixel display that allows you to view your image in sections without introducing scaling artifacts. A remote cable that allows you to access and define the user assignable function keys is included for your convenience. It incorporates a removable flip-out sun hood that can be used to shade the LCD screen when used in bright locations. The M701H incorporates four 1/4″-20 threaded mounting holes: one each on the top, bottom and sides for mounting the monitor. Key Features: 7″ 1280 x 800 HDMI Monitor 400 Nit Brightness/800:1 Contrast Ratio 178° Viewing Angle Peaking, False Color 1:1 Pixel-to-Pixel 3 x User Assignable Function Buttons Removable Sun Hood Included
View product
The MustHD M702S 7″ 1920 x 1200 Full HD 3G-SDI/HDMI On-Camera Monitor features an IPS panel with 1100:1 contrast ratio and 450 cd/m² brightness. The IPS panel allows for good off-axis viewing without significant color or contrast shift. It features a variety of camera assist tools including color peaking, zoom, 1:1 pixel, as well as red, green, blue, and gray-only display. To help the operator evaluate the exposure, the monitor supports zebra, false color, and histogram displays, as well as horizontal and vertical mirroring.
View product
The LM171 is a cost-effective 17 inch LCD monitor that can be used for post production rooms, broadcasters and mobile units, monitoring multi-format high definition video and audio. The LM171 is equipped with 1366×768 high resolution panel and capable of displaying 1080 format high definition signal at native resolution. Advanced digital video processing technology such as precise 3D de-interlace, scaling, Gamma and color correction is used to ensure high display quality. The LM171H can accept Video, S-video, component, SDI and HDMI format SD/HD video signal as well as VGA or DVI PC signal. It has various On-Screen Display feature, can display 8 channels of audio meter, time code, UMD and tally on the LCD panel. Other features like H/V delay, NATIVE, blue/mono display, area marker and safety marker are standard for the monitor.
View product
The LVM-171S is one of TV Logic’s top QC-Grade 17” model with a 16.5 inch IPS LCD panel with 1920×1080 native resolution, wide-gamut reproduction (up to DCI-P3), enhanced contrast ratio and wide viewing angle. With a completely enhanced video processing unit, it provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
View product
Well suited for work in the field, on a camera, or in a studio. The IPS panel features a 1920 x 1080 resolution with 160° viewing angle. The MK2 model features an updated image processor that provides a sharper image, new touch preset buttons on the front of the monitor, and added automatic H/V flip functionality.
View product
The TVLogic F-7H 7″ Ultra-High Luminance FHD HDR Field Monitorfeatures 1920×1080 resolution with ultra-high maximum luminance of 3,600 nits. The F-7H provides SDI to HDMI cross conversion, with 3G-SDI & HDMI input/output. It also features functions like Waveform, Vectorscope, Audio Level Meters, Focus Assist, Range Error, Time Code Display, various Aspect Ratios and Markers, 3D LUT import, Camera Logs, and HDR emulation (including HDR EOTFs of PQ, HLG and SLog3).
View product
A 5.5-inch OLED (organic LED) on-camera viewfinder monitor with native 1920×1080 resolution. It offers truly cinematic image quality with deep blacks, wide-gamut color reproduction, a very wide viewing angle, and support for multiple video formats via 3G-SDI and HDMI 1.4 inputs. Useful functions include cinema camera log-to-linear LUT conversion, HDMI-SDI cross-converted output options.
View product
————————-Description————————- The rugged 5″ Transvideo StarliteHD5 OLED Monitor/Recorder with ARRI bus interface and integrated H.264 Recorder supports ARRI camera control via a touch interface. It includes SDI cable and power/communication cable to connect the monitor via EXT connector on either the ARRI ALEXA Mini or the ARRI AMIRA cameras (not included). Constructed of aviation-grade aluminum, this 5″ monitor is the size of a smart phone and weighs less than 0.44 lb (200 g). Use on a rig on camera support rod to record and monitor while shooting. This monitor/recorder was co-developed by Transvideo and ARRI to merge their functionality. It pairs well with the ARRI TRINITY Rig and the ARRI Artemis Joystick. Key Features: Waveform Vectorscope Histogram Records H.264 rushes on SD cards ARRI bus interface (unlike the traditional Transvideo 5″ monitor/recorder) Touchscreen interface
View product
